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    <title type="text">digideep.com - News</title>
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    <updated>2010-01-28T23:05:06Z</updated>
    <rights>Copyright (c) 2010, digideep.com</rights>
    <id>tag:digideep.com,2010:01:28</id>


    <entry>
        <title>Dive Photo Guide Free Underwater Photo Tutorials</title>
        <link rel="alternate" type="text/html" href="http://www.digideep.com/english/info/html/dive-photo-guide-free-u-w-photo-tutorials/" />
        <id>tag:digideep.com,2010:english/news/4.1966</id>
        <published>2010-01-28T17:47:00Z</published>
        <updated>2010-01-28T23:05:06Z</updated>
        <author>
            <name>Sharon Rainis</name>
            <uri>http://imperfections.biz</uri>        </author>
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                <selflink><img src="http://www.digideep.com/imgdb/news/2010_01_DPG_Banner.jpg" border="0" alt="" name="" class="small_image" align="left" width="370" height="212" /></selflink>
With The growth in popularity of underwater photography, a community of esteemed professional photographers respond by developing a series of <selflink>online tutorials</selflink> to help the world learn about underwater photography. Whether you're new to underwater photography or simply looking to improve your established skills, you will surely find these tutorials very helpful. Wide angle and macro photography, underwater lighting, composition and workflow are only a few of the topics covered by these tutorials. They are simply written, easy to follow and provided for FREE!
            <?php } else { ?>
                <div class="article_sub_header"><center>------------------------------ Official Press Release ------------------------------</center></div>
<div class="article_sub_text">
In response to the global demand from photographers, scuba divers, surfers and snorkelers around the world, <b>DivePhotoGuide.com</b> has launched a highly anticipated free series of comprehensive underwater photography tutorials and guides to help the world learn underwater photography. Never before has there been such a growing interest in underwater photography, as affordable digital cameras have made underwater photography more accessible, and social media has made it easier than ever to share photos with your friends, family and the world. </br></br>
<selflink><img src="http://www.digideep.com/imgdb/news/2010_01_DPG_01.jpg" border="0" alt="" name="" class="small_image_right" align="right" width="325" height="210" /></selflink> 
These underwater photography guides offer easy-to-read tutorials for photographers of all levels to learn how to take great underwater photos. <br/><br/>
 
The tutorials are written by the professional underwater photographer- Jason Heller, and DivePhotoGuide.com editor- Matt Weiss, along with contributions from several world renowned professional and award winning underwater photographers, such as National Geographic photographer David Doubilet, Martin Edge and Alex Mustard. Each tutorial includes beautiful underwater photos and equipment setup shots that illustrate each technique.<br/><br/>
 
Underwater photography can be incredibly rewarding, but it does pose unique challenges and requires an understanding of basic principles and techniques.  Beginners will find the Getting Started Guide very intuitive, including the top ten basic principles of underwater photography and how to select your first underwater camera system. Other tutorials include macro, wide angle, super-macro, composition, lighting, surf photography and a number of creative techniques. New and advanced techniques and tutorials will be added on a regular basis. 
</div>
<div class="article_sub_header">More than Tutorials</div>
<div class="article_sub_text">
DivePhotoGuide.com has been a valuable resource to a community of over 50,000 underwater photographers around the world since 2005. In addition to the new free techniques guides, the website features underwater photo galleries from top pros and amateurs all over the world, daily underwater photography and ocean related news, in-depth articles, a comprehensive underwater photography equipment guide, travel guide, event calendars and a monthly photo contest with prizes.</br><br/>

<b><a href="http://www.divephotoguide.com/underwater-photography-techniques/">Click Here</a></b> for Dive Photo Guide Online <b>Underwater Photography Tutorials</b>, and if you're not yet convinced that you're dealing with pros here, click on the video below to watch Dive Photo Guide photographers in action. 
</div>
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    </entry>

    <entry>
        <title>Epson Red Sea 2009 Competition Album</title>
        <link rel="alternate" type="text/html" href="http://www.digideep.com/english/info/html/epson-red-sea-2009-competition-album/" />
        <id>tag:digideep.com,2010:english/news/4.1944</id>
        <published>2010-01-14T17:00:03Z</published>
        <updated>2010-01-14T17:45:07Z</updated>
        <author>
            <name>Lars Kirchhoff</name>
            <uri>http://www.lars-kirchhoff.de</uri>        </author>
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            <?php $cats[] = 'underwater photography'; ?>                       
        
            <category   term="underwater videography" 
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                <selflink><img src="http://www.digideep.com/imgdb/news/201001_redsea_album_thm.jpg" border="0" alt="Epson Red Sea 2009 Competition Album" name="" class="small_image" align="left" width="140" height="190" /></selflink>The Epson Red competition has become a very popular event within the last years. It has attracted hundreds of underwater photographers from all over the world to the lovely Eilat, Israel. This year the event has been <a href="http://www.digideep.com/english/info/html/epson-red-sea-2009/">covered</a> in a nice report by Sharon Rainis this year. Now, an <a href="http://www.eilatredsea.com/_Uploads/dbsAttachedFiles/web2_EPSON09.pdf">print album</a> with all winning images and some photos of the event itself has been published. 
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<div class="article_sub_header"><center>------------------------------ Official Press Release ------------------------------</center></div>
<div class="article_sub_text">
A Breathtaking Underwater Journey
<br /><br />

The Epson Red Sea 2009 Competition might have already concluded, but such extraordinary images never fade out. And so, we are proud to announce that the Epson Red Sea 2009 Competition Album has finally been published.
<br /><br />

All competition nominees and winners images are featured in the album. The result is a breathtaking <a href="http://www.eilatredsea.com/_Uploads/dbsAttachedFiles/web2_EPSON09.pdf">152 pages underwater journey</a>.
<br /><br />

The album features high quality graphics printed on thick pages at the size of 23x30cm.
<br /><br />

“Images submitted to the competition this year consisted of an exceptionally high standard”, says Roni Sofer, head of the Epson Red Sea jury panel. “This might have made it more difficult for us, judges, to make decisions, but at the same time, it sure turned this year’s competition album to one of the best ever presented!”
<br /><br />

So whether you have took part in the competition, plan to do so in the future, have an interest in underwater photography or simply a fan of fine art, <a href="http://www.eilatredsea.com/?CategoryID=357">click here</a> to order the Epson Red Sea 2009 Competition Album.
<br /><br />

<b>Regular Price:</b> 39 Euro<br />
<b>Special Price:</b> Only 23 Euro*<br />
*Special Price is valid till February 28th.<br />
**Any of Epson Red Sea previous competitions albums can be ordered as well for a discounted price of 17 Euro only.
<br /><br />

Epson Red Sea 2009 had the honor to be driven by the Israeli "Yam" magazine and by an international leader in imaging products, Epson. This album is one of the many magnificent outcomes of this extraordinary event, which is already known worldwide as the "International Underwater Olympics".    
<br /><br />

I wish you all enjoyable, exciting and safe 2010 dives.
<br /><br />

David Pilosof<br />
Epson Red Sea<br />
<a href="http://www.digideep.com/go?URL=http%3A%2F%2Fwww.eilatredsea.com">http://www.eilatredsea.com</a><br />
</div> 
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        ]]></content>
    </entry>

    <entry>
        <title>Wetpixel Voting Picture of the Year 2009</title>
        <link rel="alternate" type="text/html" href="http://www.digideep.com/english/info/html/wetpixel-voting-picture-of-the-year-2009/" />
        <id>tag:digideep.com,2010:english/news/4.1942</id>
        <published>2010-01-12T08:13:00Z</published>
        <updated>2010-01-12T08:34:08Z</updated>
        <author>
            <name>Lars Kirchhoff</name>
            <uri>http://www.lars-kirchhoff.de</uri>        </author>
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                Our Partners at <a target="_blank" href="http:/redirect.php?page=&url=http://www.wetpixel.com">Wetpixel</a> run a public voting on the 44 winners of their weekly contest for the Picture of the Year 2009. The weekly images are a selection of amazing photographs and chosing between them is really tough. The winning image will have the pleasure to spend a wonderful week  liveaboard dive trip on the M/V Solmar V. The public voting is now open.
            <?php } else { ?>
                <div class="article_sub_header"><center>------------------------------ Official Press Release ------------------------------</center></div>
<div class="article_sub_text">
Last year, Wetpixel hosted 44 Picture of the Week contests resulting in 44 stunning winners. Over the next 30 days, you—the public—will vote on what you think was the best photo from last year. The author of the winning photo will score a one-week liveaboard dive trip aboard the M/V Solmar V, a fantastic liveaboard dive vessel that runs trips to Socorro, the Sea of Cortez, and to Guadalupe for great white sharks. There are some incredible images in the mix, and if you're a fan of underwater photography, you owe it to yourself to check out the gallery!

Voting ends on February 11, 2010.

<a href="http://www.digideep.com/go?URL=http%3A%2F%2Fwetpixel.com%2Fcompetition%2Findex.php%3Fview%3Dcompetition%26id%3D330%26page%3Dall">http://wetpixel.com/competition/index.php?view=competition&id=330&page=all</a>
</div> 
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    </entry>

    <entry>
        <title>Fresh from the CES &#45; Liquid Image Scuba Series HD</title>
        <link rel="alternate" type="text/html" href="http://www.digideep.com/english/info/html/fresh-from-the-ces-liquid-image-scuba-series-hd/" />
        <id>tag:digideep.com,2010:english/news/4.1941</id>
        <published>2010-01-10T08:54:00Z</published>
        <updated>2010-01-10T16:20:15Z</updated>
        <author>
            <name>Sharon Rainis</name>
            <uri>http://imperfections.biz</uri>        </author>
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                <selflink><img src="http://www.digideep.com/imgdb/news/2010_01_LiquidImage_1.jpg" border="0" alt="" name="" class="small_image" align="left" width="370" height="181" /></selflink>
One of the new products featured these days at the <b>2010 CES Show</b> in Las Vegas is the Liquid Image <selflink>Scuba Series HD Wide Angle</selflink>, a dive mask that features an integrated water resistant High Definition 720P digital video and 5.0MP stills camera. Depth rated to 40m/130 feet, the <selflink>Scuba Series HD</selflink> comes with a 2GB micro SD, which can be expanded up to 32GB, enabling you to record thousands of still images or approx. 16 hours of video. 4.7W Lights can be connected at both sides of the mask. Keep your hands free!
            <?php } else { ?>
                <div class="article_sub_header"><center>------------------------------ Official Press Release ------------------------------</center></div>
<div class="article_sub_text">
The <b>Wide Angle Scuba Series HD</b> is an integrated dive mask/camera that records HD 720P video (1280x720) at 30fps along with 5.0MP still images. It features lever style buttons which are easy to press while wearing diving gloves. To record a photo or a video, the photographer should simply turn on the camera, choose the mode and press the shutter button. LED lights inside the mask indicate the mode to the user. The buttons are positioned along the upper right corner of the frame and are easy to access. The goggle lenses are made of tempered glass and have integrated crosshairs that help you to line up shots. This new device is a perfect solution for scuba diving and may also be used for snorkeling, snuba, spearfishing, and freediving.<br/><br/>

<selflink><img src="http://www.digideep.com/imgdb/news/2010_01_LiquidImage_2.jpg" border="0" alt="" name="" class="small_image_right" align="right" width="350" height="226" /></selflink>
The new wide angle will solve the issue of not completely framing the subject which some first time Camera Mask users have experienced with the original 54 degree lens. The wider angle POV camera will capture a larger field of view and therefore allow the user to think even less about operating the camera while snorkeling or scuba diving. The camera operates on 4 x AAA Batteries and estimated Lithium battery performance is 2000 still images or 2hrs of video. Downloading images is as easy as plugging in the mask to your PCs or Macs USB port (RCA/USB cable provided) and pressing the power button. TV playback is also possbile through the RCA/USB cable. The included optional software (PC only) allows you to edit your content. A microSD/SDHC card slot allows you to add memory up to 16GB currently and expected to accomodate up to 32GB (when available) for additional pictures or videos. Requires four AAA batteries (included). Ages 13 and up.<br/>
</div>
<div class="article_sub_header">Specifications</div>
<selflink><img src="http://www.digideep.com/imgdb/news/2010_01_LiquidImage_3.jpg" border="0" alt="" name="" class="small_image_right" align="right" width="250" height="350" /></selflink>
<div class="article_sub_text">
 <ul class="related_entries">
<li><b>Image Sensor:</b> 1/2.5" 5.0 Mega Pixels CMOS Sensor</li>
<li><b>Pixels:</b> Still Image- 5.0 MP</li>
<li><b>Image Resolution:</b> Still Image- 2560x1920, Video- 1280x720, HD 720P</li>
<li><b>Digital Video Recording Rate:</b> Up to 30fps@720P</li>
<li><b>Internal NAND Flash Memory:</b> 64MB for processing only, not for storage</li>
<li><b>Storage Medium:</b> Micro SD/SDHC (up to 32GB)</li>
<li><b>Lens:</b> 2G2P fix lens, 135 degress</li>
<li><b>Lens Aperture:</b> F/2.8, f=8.5mm</li>
<li><b>Lens Focus:</b> 0.5m to 3m</li>
<li><b>Shutter Speed:</b> Stills- 1/16 to 1/10,000 seconds</li>
<li><b>Sensitivity:</b> Auto: ISO 100-200</li>
<li><b>White Balance:</b> Automatic</li>
<li><b>Audio:</b> Integrated microphone, no speak</li>
<li><b>Display:</b> Status LCD Panel</li>
<li><b>Storage Capacity:</b> Stills- 36,800 images (2592x1944), Video- 960 minutes</li>
<li><b>Data Format:</b> Stills:JPEG, Video: H.264 with audio</li>
<li><b>Interface:</b> USB 2.0 High Speed</li>
<li><b>Power Supply:</b> 4 x AAA batteries</li>
<li><b>Battery Performance:</b> Lithium Batteries - Stills 2000 - Videos 2 hours, Alkaline Batteries - Stills 500 - Videos 16 minutes</li>
<li><b>Weight:</b> 360g (with batteries and micro SD card)</li>
<li><b>Dimensions:</b> 8.9cm x 18.7cm x 13.3cm</li>
<li><b>Optional Accessories:</b> Filters, 4.7W Side Torches</li>
</ul>
</div>
<div class="article_sub_header">Author's Comments</div>
<div class="article_sub_text">
Long after bike riders, racing car drivers, surfers and even snowboarders are conveniently equipped with a camera helmet, the world (or at least the <b>Liquid Image</b> part of it...) finally realizes that divers deserve such a high quality innovative gadget as well. Ok, so we don’t move at a speed of 100 MPH, but that doesn’t mean we’re not loaded with extremely important tasks that totally justify a hands free camera! <br/><br/>

There’s no doubt that the <b>Scuba Series Camera Mask</b> is full of good news for divers, especially for those who always refrained from taking a camera underwater due to the (very heavy) commitment to carry it all through the dive. And if you’re a wreck or cave diver, this might be a wonderful opportunity for you to finally carry a camera along without having to accept the fact that you might get lost due to having only one hand free to deal with the ropes and navigation equipment.<br/><br/>
As for the optional 4.7W lights which can be mounted on both sides of the mask, I would assume that they are pretty much essential in order to produce fine results with vivid colors (not that I have anything against blue, but there’s simply more to the spectrum!). The problem is that as a scuba diving instructor, I cannot help but recalling the first open water course, in which the importance of keeping your gear from tangling or projecting is emphasized over and over again. I’m not sure how these two lights sticking out of both sides of your head are in line with this self-protective and environmental-friendly rule, but just as with huge DSLR systems, I guess that as long as you keep in mind that you are a potential hazard to yourself and your surroundings, you are safe to everyone…<br/><br/>
Another point you should keep in mind when making use of the <b>Scuba Series Mask Camera</b> is that what you see is what you get. Literally. Whatever you are staring at, is recorded on your video. In most cases, this serves as an obvious advantage, as we are usually drawn to look at interesting subjects. In some circumstances, however, you might be forced to slow down your moves and head motions for the sake of your video. Or in other words, stay calm when that tiger shark comes for a visit!   
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    <entry>
        <title>Underwater Photography Magazine &#45; Issue 52</title>
        <link rel="alternate" type="text/html" href="http://www.digideep.com/english/info/html/underwater-photography-magazine-issue-52/" />
        <id>tag:digideep.com,2010:english/news/4.1939</id>
        <published>2010-01-06T02:58:00Z</published>
        <updated>2010-01-06T07:50:44Z</updated>
        <author>
            <name>Sharon Rainis</name>
            <uri>http://imperfections.biz</uri>        </author>
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                <selflink><img src="http://www.digideep.com/imgdb/news/2010_01_UWPMG52.jpg" border="0" alt="" name="" class="small_image" align="left" width="370" height="184" /></selflink>
The <selflink>52nd Issue</selflink> of the Underwater Photography Magazine has been published. Among the goodies you will find there are recommended underwater photo workshops carried out by experts, new equipment releases as the Aquatica and Nautica Housings for the Canon EOS 7D and the Ikelite DS-161 Movie Substrobe, a "Visions of the Sea" festival review, an interview with the legendary underwater photographer - Kurt Amsler and of course - something that any diving or underwater photography magazine could never do without - some thrilling shark stories!
            <?php } else { ?>
                <div class="article_sub_header"><center>------------------------------ Official Press Release ------------------------------</center></div>
<div class="article_sub_text">
Now then, what's in the <b>52nd Issue</b> of the <b>Underwater Photography Magazine</b>?</div>
<div class="article_sub_header">News, Travel & Events</div>
<div class="article_sub_text">
<selflink><img src="http://www.digideep.com/imgdb/news/2010_01_UWPMG52_2.jpg" border="0" alt="" name="" class="small_image_right" align="right" width="294" height="192" /></selflink>
 <ul class="related_entries">
<li>2010 Calendars from Jeremy & Amanda Cuff</li>
<li>Dive Fest 2010</li>
<li>Cageless Shark Diving on MV Dolphin Dream</li>
<li>Digital Centre North Sulawesi</li>
<li>Great white shark photography workshop with Charles Hood</li>
<li>Alex Mustard Underwater Photography Workshop</li>
<li>DivePhotoGuide Relaunch</li>
<li>Peter Scoones Masterclass</li>
</ul>
</div>
<div class="article_sub_header">New Products</div>
<div class="article_sub_text">
 <ul class="related_entries">
<li>Nauticam NA-7D housing for Canon EOS 7D</li>
<li>Kastesa UHC-LD4 for Leica D-Lux4 / Panasonic LX-3</li>
<li>Aquatica Canon 7D housing</li>
<selflink><img src="http://www.digideep.com/imgdb/news/2010_01_UWPMG52_3.jpg" border="0" alt="" name="" class="small_image_right" align="right" width="261" height="180" /></selflink>
<li> It's a WRAP for Light & MotionIkelite</li>
<li>DS161 Movie Substrobe</li>
<li>Ikelite Nikon D3000 housing</li>
<li>Nexus Nikon D40</li>
<li>Gates Canon HF-S11</li>
<li>Seatool CX520 housing for Sony HDR-CX520V and 500V</li>
<li>Sea & Sea YS-02 slave strobe</li>
<li>XD Amphibicam X3 Pro Housing for the Sony PMW-EX3 camcorder</li>
<li>Plaber introduce TTX01</li>
<li>Nanuk cases</li>
<li>Visions in the Sea report</li>
</ul>
</div>
<div class="article_sub_header">Techniques</div>
<div class="article_sub_text">
<selflink><img src="http://www.digideep.com/imgdb/news/2010_01_UWPMG52_5.jpg" border="0" alt="" name="" class="small_image_right" align="right" width="220" height="140" /></selflink>
 <ul class="related_entries">
<li>CLS underwater by Don Silcock</li>
<li>Cold water kit by Adam Hanlon</li>
<li>Wide macro by Don Silcock</li>
<li>Book Review by Alex Mustard</li>
<li>Parting shots by Linda Robertson, Joseph  Dovala and Arun Madisetti</li>
</ul>
</div>
<div class="article_sub_header">Profiles</div>
<div class="article_sub_text">
 <ul class="related_entries">
<li>In conversation with Kurt Amsler by Alex Mustard</li>
</ul>
</div>
<div class="article_sub_header">Locations</div>
<div class="article_sub_text">
<selflink><img src="http://www.digideep.com/imgdb/news/2010_01_UWPMG52_4.jpg" border="0" alt="" name="" class="small_image_right" align="right" width="220" height="145" /></selflink>
 <ul class="related_entries">
<li>Tumakohua Pass by Colin Gans</li>
<li>Cocos by Michael Gallagher</li>
<li>Gt Barrier Reef by Tim Rock</li>
<li>Flores and Bali by Nigel Marsh & Helen Rose</li>
<li>Port Hardy by Lucas Price</li>
<li>Mucky thoughts from Lembeh by Mark Webster</li>
</ul>
</div>
<div class="article_sub_header">Marine life</div>
<div class="article_sub_text">
 <ul class="related_entries">
<li>Gt White Shrimp by Everett M. Turner Jr</li>
<li>Malta's Giant Tuna by Paul Colley</li>
</ul>
</div>
<div class="article_sub_header">Download</div>
<div class="article_sub_text">
Download the <b>52nd issue of the UWP Magazine</b> by <a href="http://www.uwpmag.com">Clicking Here</a>.</b>
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        ]]></content>
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    <entry>
        <title>Epson Red Sea 2009</title>
        <link rel="alternate" type="text/html" href="http://www.digideep.com/english/info/html/epson-red-sea-2009/" />
        <id>tag:digideep.com,2009:english/news/4.1935</id>
        <published>2009-11-10T01:25:00Z</published>
        <updated>2009-11-18T16:43:28Z</updated>
        <author>
            <name>Sharon Rainis</name>
            <uri>http://imperfections.biz</uri>        </author>
        <?php $cats = false; ?>
        
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                <selflink><img src="/imgdb/articles/2009/2009_11_epson_red_sea_competition/EpsonRedSea2009ThemeSmall.jpg" border="0" alt="" name="" class="small_image" align="left" width="370" height="196" /></selflink>
The <selflink>Epson Red Sea 2009</selflink> event has started today in Eilat, Israel. During the next three days, photographers will be spending most of their time underwater, trying to capture an image that will entitle them with an opportunity to be called up on stage during the wining ceremony, which will take place on Saturday, November 14th. Prizes this year are valued at $80,000, not to mention international acknowledgement. The tension is high, excitement is at its peak, and still one of the hottest topics discussed is the difficulty everybody is experiencing having to wait till tomorrow for the first Happy Hour. <selflink>Read more</selflink>...
            <?php } else { ?>
                <selflink><img src="/imgdb/articles/2009/2009_11_epson_red_sea_competition/EpsonRedSea2009ThemeSmall.jpg" border="0" alt="" name="" class="small_image" align="left" width="370" height="196" /></selflink>
The <selflink>Epson Red Sea 2009</selflink> event has started today in Eilat, Israel. During the next three days, photographers will be spending most of their time underwater, trying to capture an image that will entitle them with an opportunity to be called up on stage during the wining ceremony, which will take place on Saturday, November 14th. Prizes this year are valued at $80,000, not to mention international acknowledgement. The tension is high, excitement is at its peak, and still one of the hottest topics discussed is the difficulty everybody is experiencing having to wait till tomorrow for the first Happy Hour. <selflink>Read more</selflink>... 
            <?php } ?>    
        ]]></content>
    </entry>

    <entry>
        <title>Ikelite DS&#45;161 Movie Substrobe</title>
        <link rel="alternate" type="text/html" href="http://www.digideep.com/english/info/html/ikelite-ds-161-movie-substrobe/" />
        <id>tag:digideep.com,2009:english/news/4.1934</id>
        <published>2009-11-08T07:19:00Z</published>
        <updated>2009-11-08T09:46:14Z</updated>
        <author>
            <name>Sharon Rainis</name>
            <uri>http://imperfections.biz</uri>        </author>
        <?php $cats = false; ?>
        
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                <selflink><img src="http://www.digideep.com/imgdb/news/2009_11_Ikelite_DS161_Theme.jpg" border="0" alt="" name="" class="small_image" align="left" width="370" height="156" /></selflink>
By releasing the new <selflink>DS-161 Movie Substrobe</selflink>, Ikelite proves its ability to quickly respond to new market demands. Now that new DSLR cameras are equipped with full HD video capabilities, a need for an underwater lighting device that can serve both as a strobe for stills and as a powerful LED light for videos, has arose. The new <selflink>DS-161</selflink> was especially designed to meet these requirements. Equipped with a 15-watt movie LED light, a powerful flash-tube,  a short recycle time and full compatibility with Ikelite TTL systems, the <selflink>DS-161</selflink> answers almost of your underwater photography needs.
            <?php } else { ?>
                <div class="article_sub_header"><center>------------------------------ Official Press Release ------------------------------</center></div>
<div class="article_sub_text">
The <b>DS161 Movie Substrobe</b> combines all of the functionality of our renowned DS160 with a powerful 500 lumen LED video light. This strobe is everything you need for stunning photos and video.<br/><br/>
<b>Strobe Coverage</b><br/>
Professional photographers all over the world prefer the wide and even coverage of our specially made circular flashtubes. The slightly warm color temperature provides rich, natural tones for beautiful macro, portraits and landscapes. <br/><br/>
<b>Strobe Compatibility</b><br/>
The DS161 Movie Substrobe is compatible with all Ikelite TTL systems and current digital cameras, as well as all older TTL film cameras including the Nikonos system. A variety of sync cords, sensors, and TTL adapters are available to connect to almost any camera system currently on the market. <br/><br/>
<b>Strobe Power</b><br/>
The DS161 recycles in a quick 1.5 sec from full discharge. When fired at a fractional power — whether in TTL or manual mode — the strobe recycles virtually instantaneously. Number of flashes per full charge will increase dramatically in most cases when using in TTL mode with a compatible camera system. The powerful DS161 is adjustable in 10 half-stop increments for precise control over your exposure when used in manual mode. <br/><br/>
<b>Movie Light Coverage</b><br/>
Three super-bright LEDs are arranged behind a special optical element to provide 45 degrees angle of coverage free of hotspots. The daylight balanced color temperature brings out true, natural colors with or without the use of a color correcting filter. <br/><br/>
<b>Movie Light Modes</b><br/>
With the strobe set to the "Batt w/Lite" position, the movie light is adjustable between 100% and 50% power in 10 fractional power settings. An "SOS" mode emits the universal signal for help in an emergency situations. With the strobe set to the "On w/Lite" position, the movie light doubles as an aiming light for focusing or night diving. The light automatically turns off and back on when the strobe fires so there is no effect on photos. <br/><br/>
<selflink><img src="http://www.digideep.com/imgdb/news/2011_09_Ikelite_DS161_2.jpg" border="0" alt="" name="" class="small_image_right" align="right" width="200" height="331" /></selflink>
<b>Movie Light Burn Time</b><br/>
Custom circuitry and highly efficient drivers provide 5 hours of continuous burn time on a fully charged battery with no waning effects. Continuous use of the light at full power reduces number of full power flashes by less than 15%.<br/><br/>
<b>Accessories</b><br/>
The #4061 DS161 comes standard with rechargeable NiMH battery pack and flash diffuser. The NiMH battery pack requires #4066.1 Smart Charger, not included. A variety of strobe mounts and arms are available for attachment to almost any system. 

The DS161 accepts the same #4066.5 NiMH module used on the DS125 and DS160 Substrobes. 
Complete strobe packages are also available in order to integrate the DS-161 in an underwater photo system.<br/><br/>
<b>Upgrade Opportunity</b><br/>
A reasonably priced upgrade to Substrobe DS160 owners is expected sometime in the first quarter of 2010. DS125 Substrobes are not able to be upgraded to DS161 specifications. <br/><br/>
</div>
<div class="article_sub_header">Specifications</div>
<div class="article_sub_text">
 <ul class="related_entries">
<li>Battery Pack: NiMH module</li>
<li>Weight: 1.3 kg (2.75 lb)</li>
<li>Size: 9.6 cm dia x 17.9 cm / 3.75" dia x 7" </li>
<li>Depth Rating: 90m - 300 feet</li>
</ul>
<b>STROBE</b><br/>
 <ul class="related_entries">
<li>Energy Rating: 160 watt-sec</li>
<li>Recycle Time: 1.5 sec </li>
<li>Angle of Coverage: 90 degrees / 100 degrees with diffuser </li>
<li>Guide # (ISO 100) feet: 76 surface - 38 underwater </li>
<li>Guide # meters: 24 surface - 12 underwater </li>
<li>Color Temperature: 4800 degrees Kelvin </li>
<li>Full Power Flashes: 225 flashes per full charge </li>
<li>Firing Modes: TTL, Full, 9 fractional powers </li>
</ul>
<b>MOVIE</b><br/>
 <ul class="related_entries">
<li>Movie Light:15-watt LED </li>
<li>Angle of Coverage: 45 degrees </li>
<li>Brightness: 500 lumens </li>
<li>Color Temperature: 5000-5500K </li>
<li>Burn Time: 5 hours at max intensity </li>
<li>Power Settings: Full, 9 fractional powers, SOS </li>
</ul>
</div>
<div class="article_sub_header">Author's Insight</div>
<div class="article_sub_text">
It sure seems like the <b>DS-161</b> fully meets the evolving demands of underwater photographers. With TTL capabilities, which enable the strobe to set the proper exposure when shooting stills, a fine flash-tube and wide angle of coverage to ensure proper lighting of most compositions, a powerful LED light for videography and a 5 hours burn time at max intensity, it seems that all this strobe is missing in order to sign its own photographs is the ability to compose the image and push the shutter release...
</div> 
            <?php } ?>    
        ]]></content>
    </entry>

    <entry>
        <title>Aquatica Dresses Up the New Nikon D300s</title>
        <link rel="alternate" type="text/html" href="http://www.digideep.com/english/info/html/aquatica-dresses-up-the-nikon-d300s/" />
        <id>tag:digideep.com,2009:english/news/4.1932</id>
        <published>2009-11-04T14:13:00Z</published>
        <updated>2009-11-04T21:52:38Z</updated>
        <author>
            <name>Sharon Rainis</name>
            <uri>http://imperfections.biz</uri>        </author>
        <?php $cats = false; ?>
        
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                <selflink><img src="http://www.digideep.com/imgdb/news/2009_11_Aquatica_D300s_Banner.jpg" border="0" alt="" name="" class="small_image" align="left" width="370" height="194" /></selflink>
Aquatica is the first manufacturer to announce an <selflink>underwater housing</selflink> for the Nikon D300s, released to the market only a few months ago. The new housing features a variety of alternatives for strobe connectors, including fiber optic cable, Ikelite and Nikonos bulkheads. The housing shell is machined from solid aluminum and it is depth rated to 90 meters / 300 feet. The new Nikon D300s, with 12.3 mega pixels and HD video capabilities, accommodated inside this <selflink>new housing</selflink>, will certainly open a new door for many underwater photographers.
            <?php } else { ?>
                <div class="article_sub_header"><center>------------------------------ Official Press Release ------------------------------</center></div>
<div class="article_sub_text">
Aquatica announces its latest addition, a housing for the new <b>Nikon D300s</b>. In order to take full advantage of the newer underwater strobes on the market, the new housing offers a selection of alternatives for strobe connectors, including Optical Fiber, standard Nikonos sync ports and Ikelite bulkheads. Accessing TTL on the <b>Nikon D300s</b> is now a breeze.<br/><br/>
<selflink><img src="http://www.digideep.com/imgdb/news/2009_11_Aquatica_D300s_2.jpg" border="0" alt="" name="" class="small_image_right" align="right" width="320" height="234" /></selflink>
The shell is machined from solid aluminum, treated and anodized to military specification and then painted with a robust weather and wear resistant finish. Due to its durable construction, the housing benefits from a 300 feet + depth rating, which sets Aquatica housings apart from some of their competitors. <br/><br/>

The </b>D300s</b> housing features easy access to vital video function controls, while retaining its ease of operation for still imaging. It is equipped with the same mounting bayonet that accepts Aquatica's existing accessories and ports, including the Aquatica tack sharp Megadome, Aqua View Finder and Remote Control Cord. The housing was specially designed in order to address every aspect of underwater photography as a demanding activity. <br/><br/>
</div>
<div class="article_sub_header">Aquatica D300s Key Features</div>
<div class="article_sub_text">
 <ul class="related_entries">
<li><b>Optical Fiber Strobe Connectors (NEW):</b> This Aquatica housing introduces the optical fiber connection to their line up of housings. Options include optical ports for both Sea & Sea or INON connectors, as well as traditional strobe connectors, as the Nikonos or Ikelite standard bulkheads. These options ensure that the housing is as flexible as possible with respect to its compatibility with the different underwater strobes available in the market.</li>
<li><b>Bayonet Port:</b> A positive four point bayonet mounting and a locking mechanism leave no doubt that the ports are secure in place and watertight sealed. The bayonet system, which accpets dome ports, macro ports and extension rings, offers the fastest and most comprehensive access to the lenses for rapid changing without having to remove the camera from the housing. This housing allows use of lenses from a 10mm 180 degrees fisheye lens to a 180mm macro lens. Tele-converter port extensions are also available.</li>
<selflink><img src="http://www.digideep.com/imgdb/news/2009_11_Aquatica_D300s_3.jpg" border="0" alt="" name="" class="small_image_right" align="right" width="320" height="234" /></selflink>
<li><b>Menus:</b> Buttons have been designed within an angle of 20 degrees and extended when required, for better ergonomics. Knobs are now grooved and knurled for optimal operation when wearing thick gloves.</li>
<li><b>Hydrophone:</b> Available as an accessory and can be easily mounted by using one of the provided accessory bulkhead mounting holes.</li>
<li><b>Controls:</b> Fingertip access to all camera menus and video controls including On/Off, Live View mode, Record On/Off, Exposure Mode, Bracketing, Meter Positioning, Focus Control, AF-ON  and AE-AF Lock. Controls are all accesses via a single easy access lever. Access to all menu features include Review, Enlarge, Delete, Histogram and Internal SLR Preferences.</li>
<li><b>Lens Release:</b> A lever is provided for easy lens changing through the front port without having to remove the camera from the housing.</li>
<li><b>Remote Control Grip:</b> Available as an accessory and can be easily mounted by making use of one of the provided accessory bulkhead mounting holes.</li>
<li><b>Viewing Eye Piece:</b> One of the most critical aspects of underwater SLR photography is the viewing system. The Aquatica housing is equipped with a viewfinder that features the largest and brightest image possible in full frame viewing. An accessory Aqua View Finder is also available, providing the photographer with unparallel viewing of the camera's viewfinder, for sharp focusing and accurate composition. </li>
</ul>
</div>
<div class="article_sub_header">Aquatica D300s Housing Specifications</div>
<div class="article_sub_text">

 <ul class="related_entries">
<li><b>Depth Rating:</b> 300 feet/90 meters (upgradeable on request to 425ft/130 meters).</li>
<selflink><img src="http://www.digideep.com/imgdb/news/2009_11_Aquatica_D300s_4.jpg" border="0" alt="" name="" class="small_image_right" align="right" width="320" height="216" /></selflink>
<li><b>Shell:</b> Precision machined from a single aluminum block. This lightweight housing is fully anodized to military specifications and coated with robust wear resistant coating. All function labels are pad printing so they will not peel off or fade on the long term.</li>
<li><b>Accurately Balanced Ergonomic Design:</b> All controls, including video activating controls, are within easy reach.</li>
<li><b>Excellent Underwater Balance.</b></li>
<li><b>Replaceable Sacrificial Anodes:</b> Protect the housing from electrolysis.</li>
<li><b>Weight:</b> 3.29 Kg / 7.25 Lbs</li>
<li><b>Dimensions (with grip attached):</b> W 35.6cm x H 20.25cm x D15.25cm / W 14” x H 8” x D 6”</li>
<li><b>Dimensions (without grip):</b> 24.1cm x H 20.25cm x D15.25cm / W 9.5” x H 8” x D 6”</li>
</ul>
</div> 
            <?php } ?>    
        ]]></content>
    </entry>

    <entry>
        <title>Canon Introduces the EOS&#45;1D Mark IV</title>
        <link rel="alternate" type="text/html" href="http://www.digideep.com/english/info/html/canon-introduces-the-eos-1d-mark-iv/" />
        <id>tag:digideep.com,2009:english/news/4.1927</id>
        <published>2009-10-20T21:59:00Z</published>
        <updated>2009-10-21T07:06:03Z</updated>
        <author>
            <name>Sharon Rainis</name>
            <uri>http://imperfections.biz</uri>        </author>
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                <selflink><img src="http://www.digideep.com/imgdb/news/2009_10_Canon_EOS1DIV1.jpg" border="0" alt="" name="" class="small_image" align="left" width="370" height="215" /></selflink>
Canon introduces the next evolution in the EOS-1D series of cameras: the <selflink>Canon EOS-1D Mark IV</selflink> Digital SLR camera. The EOS-1D Mark IV camera is a high-speed multimedia performance monster with a 16-megapixel Canon CMOS sensor, Dual DIGIC 4 Imaging Processors, and 14-bit A/D data conversion, all at 10 frames-per-second (fps), with the widest ISO range Canon has produced to date. This new camera also features 1080p Full High-Definition video capabilities at selectable frame rates packaged in a rugged and durable professional camera body.
            <?php } else { ?>
                <br class="clear" /><br /><div class="article_sub_header"><center>------------------------------ Official Press Release ------------------------------</center></div>
<div class="article_sub_text">

<b>New 45-Point Autofocus System</b><br/>
The new EOS-1D model is equipped with a newly developed 45-point AF sensor featuring 39 high-precision cross-type AF points, and an all new AI Servo II AF mode that gives still photographers the power and performance to track and focus a fast-moving subject at speeds up to 10 frames per second. To complete the range of AF improvements, Canon has developed a new AI Servo II AF predictive focusing algorithm that significantly improves responsiveness and stability by making better decisions on focus tracking in a variety of shooting conditions. <br/><br/>
<selflink><img src="http://www.digideep.com/imgdb/news/2009_10_Canon_EOS1DIV2.jpg" border="0" alt="" name="" class="small_image_right" align="right" width="320" height="303" /></selflink>
<b>Amazing High ISO Performance</b><br/>
Photographers shooting in low light without the benefit of a flash can take advantage of Canon's widest ISO range and highest performance ever. The EOS-1D Mark IV camera's ISO speed settings range from 100 up to 12,800 in 1/3 or 1/2 stop increments with ISO Expansion settings of L: 50 for bright light or H1: 25,600, H2: 51,200, and H3: 102,400 for even the most dimly lit situations. <br/><br/>

<b>The EOS HD Video Powerhouse</b><br/>
Over the past year, Canon's EOS HD Video technology has changed the way users capture 1080p HD video and provides them with full manual exposure control, selectable frame rates, and interchangeable lenses on some of the largest and most sensitive image sensors on the market. The large camera sensor allows filmmakers to achieve shallow depth-of-field just as cinematographers have traditionally done using much higher-cost motion picture equipment. The Canon EOS-1D Mark IV allows for three video recording resolutions - 1080p Full HD and 720p HD in a 16:9 aspect ratio and Standard Definition (SD) in a 4:3 aspect ratio. The camera will record Full HD at 1920 x 1080 in selectable frame rates of 24p (23.976), 25p, or 30p (29.97); and 720p HD or SD video recording at either 50p or 60p (59.94). SD video can be recorded in either NTSC or PAL standards.<br/><br/>
<selflink><img src="http://www.digideep.com/imgdb/news/2009_10_Canon_EOS1DIV3.jpg" border="0" alt="" name="" class="small_image_left" align="left" width="320" height="295" /></selflink>
<b>Image Quality and Performance</b><br/>
The heart of the EOS-1D Mark IV camera's outstanding image quality is a newly developed 16.1-Megapixel CMOS sensor featuring Canon's latest and most advanced proprietary technologies. The transmissive quality of the color filter array has been enhanced to improve sensitivity. Canon has also upgraded the sensor circuitry to improve noise reduction before the image data is exported from the CMOS sensor to the rest of the image processing chain.<br/><br/>

With 60 percent more pixels than the EOS-1D Mark III, the EOS-1D Mark IV Digital SLR employs Dual DIGIC 4 Image Processors with approximately six times the processing power of DIGIC III for full 14-bit A/D conversion at 10 fps. High-speed continuous shooting up to 121 Large JPEGs is possible using a UDMA CF card. This camera also features three RAW shooting modes for versatility with Full RAW (approx. 16 million pixels), M-RAW (approx. nine million pixels), and S-RAW (approx. four million pixels). Three additional JPEG recording formats (M1, M2 and Small) are also available. <br/><br/>

The 14-bit per channel conversion facilitated by the dual DIGIC 4 Processors provides smoother tonalities in final images capturing all 16,384 distinct tones in each channel (red, green and blue) at the full 10 fps frame rate. RAW images shot on the new Canon EOS-1D Mark IV use the entire 14-bit space when converted to 16-bit TIFF files. The 14-bit A/D conversion is also the foundation for Canon's Highlight Tone Priority feature that takes maximum advantage of the camera's extensive dynamic range to preserve detail in highlight areas of the image. Canon's new EOS-1D Mark IV Digital SLR also features an improved white balance algorithm making colors more accurate when shooting under low color temperature light sources such as household tungsten lamps.<br/><br/> 
<selflink><img src="http://www.digideep.com/imgdb/news/2009_10_Canon_EOS1DIV4.jpg" border="0" alt="" name="" class="small_image_right" align="right" width="320" height="204" /></selflink>
<b>Auto Lighting Optimizer</b><br/>
The EOS-1D Mark IV Digital SLR helps reduce post-production work with a powerful new Auto Lighting Optimizer (ALO) system. When enabled, Canon's ALO automatically adjusts the image for optimal brightness and contrast on the fly during in-camera image processing, reducing clipped highlights while keeping shadowed areas as clear and detailed as they actually appear. By optimizing brightness and contrast in-camera, Canon's ALO system significantly reduces the need for post-production image optimization, and gives photographers image quality they can take directly to press. Demanding professional photographers who tested ALO clearly stated that this one feature will reduce their post-production image optimization process by more than 75 percent. Canon's ALO works with both RAWi and JPEG images as well as video recording.<br/><br/>

<b>Rugged Reliability</b><br/>
Canon has taken every measure to ensure that the EOS-1D Mark IV Digital SLR camera has the highest degree of weather resistance in the EOS line. The 1D Mark IV camera incorporates a wide range of design features that enhance its durability and reliability for professional assignments. For example, the 1D Mark IV's body, chassis and lens mount are completely weather-resistant and 76 gaskets and seals surround all buttons and seams. The body covers and internal chassis, including the mirror box, are constructed with magnesium-alloy, one of the strongest and rigid metals available for its weight. For added strength, the lens mount is constructed with stainless steel. <br/><br/>
<b>Pricing and Availability</b><br/>
The Canon EOS-1D Mark IV Digital SLR camera is scheduled to be delivered to U.S. dealers in late December, and will be sold in a body-only configuration at an estimated retail price of $4,999.00. 
</div> 
            <?php } ?>    
        ]]></content>
    </entry>

    <entry>
        <title>Nikon Announces the D3s for Ultra High Performance</title>
        <link rel="alternate" type="text/html" href="http://www.digideep.com/english/info/html/nikon-releases-the-d3s-for-ultra-high-performance/" />
        <id>tag:digideep.com,2009:english/news/4.1926</id>
        <published>2009-10-18T22:02:00Z</published>
        <updated>2009-10-19T12:57:36Z</updated>
        <author>
            <name>Sharon Rainis</name>
            <uri>http://imperfections.biz</uri>        </author>
        <?php $cats = false; ?>
        
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                <selflink><img src="http://www.digideep.com/imgdb/news/2009_10_Nikon_D3sBanner.jpg" border="0" alt="" name="" class="small_image" align="left" width="370" height="212" /></selflink>
Nikon redefines possibilities for professional DSLR photographers with the announcement of the <selflink>FX-Format D3s</selflink>. Built upon the success of the Nikon D3 - the professional digital SLR that previously set new standards for DSLR performance, the new <selflink>D3s</selflink> features a six-figure ISO sensitivity for both stills and video, as well as an enhanced overall performance. With an  ISO sensitivity from 200 to 12,800, Nikon's new pro makes it possible to capture images and videos which were previously considered as impossible. Who's afraid of the dark now?
            <?php } else { ?>
                <div class="article_sub_header"><center>------------------------------ Official Press Release ------------------------------</center></div>
<div class="article_sub_text">
Nikon announced the FX-format D3S D-SLR, providing professional photographers with a powerful tool that redefines the boundaries of digital SLR versatility, while maintaining the strength of superior image quality and high speed performance inherited from the groundbreaking D3. The Nikon D3S utilizes a newly designed Nikon original 12.1-megapixel FX-format CMOS sensor that also integrates its amazing low-light ability to High Definition (HD) video, creating a uniquely capable multi-media tool to meet the needs of a changing imaging landscape.<br/><br/>

<b>Innovative ISO Range</b><br/>
The Nikon D3s, with a base ISO sensitivity from ISO 200 to 12,800, makes it possible to capture previously impossible images, image opportunities which were often ignored because of low light levels. Now, in even more demanding lighting conditions, photographers can select expanded sensitivity settings of ISO equivalent 25,600, ISO equivalent 51,200 and an incredible ISO equivalent sensitivity of 102,400 which reveals detail in extreme low-light environments that challenge even the human eye’s ability to discern subject content. In addition, a setting of ISO equivalent 100 is provided. <br/><br/>

For underwater photographers, the significantly enhanced ISO range will affect the results especially in deep dives, cave dives and while photographing under other low light conditions, when natural light is very limited or simply unavailable. Sure, your strobe can always illuminate your subject if it is positioned a meter away from you, but what about that dolphin that just passed by in the background?! <br/>
Suddenly the integrating between aperture and shutter speed, when it comes to exposure, seems somewhat less problematic as you complacently shift your ISO up to 12,800.<br/><br/>
<selflink><img src="http://www.digideep.com/imgdb/news/2009_10_Nikon_D3s2.jpg" border="0" alt="" name="" class="small_image_right" align="right" width="320" height="297" /></selflink>
<b>Big Pixels Further Enhance ISO Capabilities</b><br/>
The amazing low-light ability of the D3S, as well as its astounding image quality can be attributed in large part to the engineering behind the newly designed, Nikon original 12.1-megapixel FX-format CMOS sensor, which measures 36x23.9mm. Individual pixels measure a large 8.45 microns, which support enhanced sensitivity to light and other qualities leading to superior image fidelity. The D3S captures light and renders images in a way that no other Nikon camera has yet to achieve, with a higher signal-to-noise ratio and an unmatched dynamic range for both stills and HD video throughout its broadened ISO range.<br/><br/>

<b>Image Sensor Cleaning Function</b><br/>
The Nikon D3S adds the extra benefit of an Image Sensor Cleaning function to reduce instances of image degradation resulting from dust accumulation on the optical low pass filter (OLPF) in front of the image sensor. The OLPF oscillates at four specific frequencies to release particles that would disrupt image quality. Sensor Cleaning can be set by the user to cycle automatically when the camera is powered on, turned off, or on demand. <br/><br/>

<b>D-Movie Creativity</b><br/>
Whether on the frontlines or sidelines, the amazing ISO range of the D3S can also be applied while recording HD video clips to give unprecedented low-light ability for movie clips. The refined D-Movie mode for the FX-format offers smooth 1280x720 video at a cinematic 24fps, with a new algorithm that severely reduces the phenomenon of “rolling shutter” typical to D-SLRs while panning. Additionally, the D3S features a built-in monaural microphone, augmented by a stereo microphone input, which is perfect for hot-shoe microphone mounting or the use of wireless microphones for interviews or spot news.<br/><br/>
    
Photographers and film makers alike will appreciate the full aperture control from a wide f/1.4 to f/16, as the FX-format sensor renders low-noise movie clips with outstanding clarity, aided by the large selection of renowned NIKKOR lenses to produce a dramatic depth of field. High Sensitivity Movie Mode allows the utilization of the entire ISO range to capture otherwise hidden details in challenging lighting conditions, more effectively than cameras with smaller sensors. <br/><br/>
<selflink><img src="http://www.digideep.com/imgdb/news/2009_10_Nikon_D3s3.jpg" border="0" alt="" name="" class="small_image_left" align="left" width="320" height="277" /></selflink>
<b>Performance and Features Defining Versatility</b><br/>
The D3S features two UDMA compatible CompactFlash™ card slots that can be used for consecutive recording (overflow), simultaneous recording (backup), separating recording of RAW and JPEG files or even copying pictures between the two cards. One or both can also be designated for data-heavy D-Movie recording. Images can be displayed directly from the camera to a High Definition monitor using the camera's HDMI port and an optional cable.<br/><br/>

The D3S features Nikon’s exclusive Multi-CAM 3500FX focus module, with 51 AF points, 15 cross type sensors and 36 horizontal sensors that easily track and lock onto moving subjects, delivering the same fast and accurate AF performance that helped make the D3 immediately successful. Users can select any of the AF points, making it easy to consistently attain accurate focus, frame after frame. <br/><br/>

<b>Quiet Shutter Mode</b><br/>
To alleviate another kind of noise, the D3S also features a Quiet Shutter Mode which substantially reduces the sound of the camera’s mirror-down cycle, which is perfect for shooting in sensitive environments, such as movie sets, meetings, ceremonies, or while photographing wildlife. <br/><br/>
I believe underwater photographers are all familiar with the situation in which a long period of time is invested in perfectly composing an image of a delicate creature, because it is obvious that it is a one-time shot. Once the mirror goes down, the show is over and the fish is gone. In these situations, I almost start missing my point & shoot. No doubt that a Quiet Shutter Mode could spare some of these frustrating situations...<br/><br/>

<b>Technologies Engineered for Professionals</b><br/>
The D3S’ speed and performance is the culmination of many Nikon core technologies including the latest generation of the EXPEED™ Image Processing System. The latest iteration of this system is specially designed to keep pace with the D3S’ blazing performance to provide amazing image quality, faster processing speeds, lower power consumption, precise color reproduction for a broad spectrum of hues, vivid saturation and smooth gradation. <br/><br/>

The D3S’ accelerated Scene Recognition System analyzes information from the 1,005-pixel RGB light sensor for use in auto exposure, auto white balance detection and autofocus calculations. The Scene Recognition System also assists autofocus by tracking subject position and automatically shifts the AF points used to match the subject’s movement within the frame. <br/><br/>
I guess that no matter how experienced and professional an underwater photographer is, the fact that the camera is accommodated inside a housing always makes it more difficult to manually control all parameters at the same time. Trying to manually focus with the lens port while shifting the aperture just to find out that you should white balance your image again, is usually quite challenging, and by the time you have finally completed your settings, your fish is probably swimming in a different ocean. This is what makes the sophisticated auto settings of the D3s so attractive for underwater photographers, even if you only choose to use a small portion of them.<br/><br/>

<b>Price and Availability</b><br/>
The Nikon D3S digital SLR is scheduled to be available at Nikon Authorized dealers beginning in late November 2009 at an estimated selling price of $5,199.95.<br/></div>
<div class="article_sub_header">Nikon D3s Specifications</div>
<div class="article_sub_text">
 <ul class="related_entries">
<li><b>Effective Pixels</b>- 12.1 million</li>
<li><b>Image Sensor</b>- CMOS sensor, 36.0 x 23.9 mm; total pixels: 12.87 million; Nikon FX format</li>
<li><b>Image Size (pixels)</b>- FX format (36 x 24): 4,256 x 2,832 [L], 3,184 x 2,120 [M], 2,128 x 1,416 [S], 1.2x (30 x 20): 3,552 x 2,368 [L], 2,656 x 1,776 [M], 1,776 x 1,184 [S], DX format (24 x 16): 2,784 x 1,848 [L], 2,080 x 1,384 [M], 1,392 x 920 [S], 5:4 (30 x 24): 3,552 x 2,832 [L], 2,656 x 2,120 [M], 1,776 x 1,416 [S] </li>
<li><b>Sensitivity</b>- ISO 200 to 12800 in steps of 1/3, 1/2 or 1 EV; can also be set to approx. 0.3, 0.5, 0.7 or 1 EV (ISO 100 equivalent) below ISO 200 or to approx. 0.3, 0.5, 0.7, 1, 2 or 3 EV (ISO 102400 equivalent) above ISO 12800; auto ISO sensitivity control available</li>
<li><b>Storage Media</b>- CompactFlash (Type I, compliant with UDMA)</li>
<li><b>Monitor</b>- 3-in., approx. 921k-dot (VGA), 170-degree wide-viewing-angle, 100% frame coverage, low-temperature polysilicon TFT LCD with brightness adjustment</li>
<li><b>Exposure Metering</b>- TTL full-aperture exposure metering using 1,005-pixel RGB sensor. 1) Matrix: 3D color matrix metering II (type G and D lenses); color matrix metering II (other CPU lenses); color matrix metering (non-CPU lenses if user provides lens data). 2) Center-Weighted: Weight of 75% given to 12-mm circle in center of frame, diameter of circle can be changed to 8, 15 or 20 mm, or weighting can be based on average of entire frame (non-CPU lenses use 12-mm circle or average of entire frame). 3) Spot: Meters 4-mm circle (about 1.5% of frame) centered on selected focus point (on center focus point when non-CPU lens is used).</li>
<li><b>Exposure Modes</b>- 1) Programmed Auto (P) with flexible program, 2) Shutter-Priority Auto (S), 3) Aperture-Priority Auto (A), 4) Manual (M)</li>
<li><b>Interface</b>- Hi-Speed USB</li>
<li><b>Power Sources</b>- One Rechargeable Li-ion Battery EN-EL4a/EL4, Quick Charger MH-22/MH-21, AC Adapter EH-6 (optional)</li>
<li><b>Dimensions (W x H xD)</b>- Approx. 159.5 x 157 x 87.5 mm (6.3 x 6.2 x 3.4 in.)</li>
<li><b>Weight</b>- Approx. 1,240 g (2 lb. 12 oz.) without battery, memory card, body cap or monitor cover</li> 
</ul>
</div>
<div class="article_sub_header">Author's Conclusions</div>
<div class="article_sub_text">
Basically, it seems that you can never go wrong with this camera. Failed to calculate the accurate aperture and shutter speed values when trying to set a proper exposure? Not a big deal, simply shift your ISO to a value that was previously considered as imaginary. Thought you were taking a rare image of a tiger shark as you suddenly found out you are in the video mode? No problem! extract yourself a fine high res image from the mistaken video and keep the secret to yourself. Feeling too lazy today in order to manually set your white balance? It's your lucky day! We have just designed the perfect algorithm for this!<br/>
At some point it makes you think- if this camera was designed for highly experienced and professional photographers, how come it is SO GOOD in making your life SO EASY...
</div> 
            <?php } ?>    
        ]]></content>
    </entry>

    <entry>
        <title>Help Us to Protect Goliath Groupers</title>
        <link rel="alternate" type="text/html" href="http://www.digideep.com/english/info/html/help-us-to-protect-goliath-groupers/" />
        <id>tag:digideep.com,2009:english/news/4.1925</id>
        <published>2009-10-09T08:58:00Z</published>
        <updated>2009-10-09T09:57:57Z</updated>
        <author>
            <name>Sharon Rainis</name>
            <uri>http://imperfections.biz</uri>        </author>
        <?php $cats = false; ?>
        
            <category   term="news" 
                        scheme="http://www.digideep.com/go/site/category/news/"
                        label="news" />
            <?php $cats[] = 'news'; ?>                       
        
            <category   term="environment" 
                        scheme="http://www.digideep.com/go/site/category/environment/"
                        label="environment" />
            <?php $cats[] = 'environment'; ?>
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            <?php if ($cats[0] == "Artikel") { ?>
                <selflink><img src="http://www.digideep.com/imgdb/news/2009_10_Wetpixel_GoliathGroupers.jpg" border="0" alt="" name="" class="small_image" align="left" width="370" height="190" /></selflink>
Goliath Groupers, which were listed until 2006 as a critically endangered species by the World Conservation Union (IUCN), may soon lose their protection from fishing due to recovering population levels and pressure exerted by fisherman. Divers have long enjoyed the company of these huge, friendly fish, and if fishing Goliath Groupers becomes legal once again, population levels may fall quickly. You can <selflink>help us</selflink> to keep Goliath Groupers in the list of protected species by signing a petition! <selflink>Read more...</selflink>
            <?php } else { ?>
                <div class="article_sub_text">
Sign the <a href="http://www.thepetitionsite.com/1/protect-goliath-groupers">Goliath Groupers Petition</a>, requesting to continue the protection of  the Goliath Grouper (Epinephelus Itajara).
<br/><br/>

Goliath Grouper have been inhabitants of Florida's reefs for millions of years and serve a vital role in the healthy functioning of the reefs. They have been listed as a critically endangered species by the World Conservation Union (IUCN), and have been protected from fishing in the United States since 1990, and in the Caribbean since 1993.
<br/><br/>

<img src="http://www.digideep.com/imgdb/news/2009_10_Wetpixel_GoliathGroupers2.jpg" border="0" alt="" name="" class="small_image_right" align="right" width="200" height="121" />
Many of us are divers and have witnessed the large congregations of these amazing creatures from August to October in Palm Beach County, where they travel perhaps hundreds of miles to congregate in groups of 50 to 75 for breeding purposes. It is incredibly sad that a group of 50-75 individuals constitutes a large aggregation, but such is the state of our oceans today.
<br/><br/>

We have witnessed the curious nature of these massive creatures and watched them roll on their sides to have their bellies scratched by a diver. Fisherman and spear-fisherman wish to hunt them for sport, but we cannot see the sport in shooting an animal that willfully approaches divers.
<br/><br/>

We are extremely opposed to the removal of protected status from these gentle giants.
<br/><br/>

<b>Feel the same?</b><br/>
<A href="http://www.thepetitionsite.com/1/protect-goliath-groupers">Click Here</a> to sign the Goliath Groupers Petition and help us to protect them
</div> 
            <?php } ?>    
        ]]></content>
    </entry>

    <entry>
        <title>Fish of the Year &#45;  Epson Red Sea 2009</title>
        <link rel="alternate" type="text/html" href="http://www.digideep.com/english/info/html/fish-of-the-year-epson-red-sea-2009/" />
        <id>tag:digideep.com,2009:english/news/4.1922</id>
        <published>2009-09-21T09:07:01Z</published>
        <updated>2009-09-22T08:45:13Z</updated>
        <author>
            <name>Sharon Rainis</name>
            <uri>http://imperfections.biz</uri>        </author>
        <?php $cats = false; ?>
        
            <category   term="news" 
                        scheme="http://www.digideep.com/go/site/category/news/"
                        label="news" />
            <?php $cats[] = 'news'; ?>                       
        
            <category   term="events" 
                        scheme="http://www.digideep.com/go/site/category/events/"
                        label="events" />
            <?php $cats[] = 'events'; ?>                       
        
            <category   term="underwater photography" 
                        scheme="http://www.digideep.com/go/site/category/underwater photography/"
                        label="underwater photography" />
            <?php $cats[] = 'underwater photography'; ?>
        <content type="html"><![CDATA[
            <?php if ($cats[0] == "Artikel") { ?>
                <selflink><img src="http://www.digideep.com/imgdb/news/2009_09_EpsonRedSea_1.jpg" border="0" alt="" name="" class="small_image" align="left" width="370" height="180" /></selflink>
While other competitions around the world are busy with announcing the annual beauty queen, the leading racing car or the most popular pop star, Epson Red Sea 2009 is proud to introduce the <selflink>Fish of the Year</selflink>. On November 1st, 8 days before the Epson Red Sea 2009 competition begins, divers worldwide will be voting for the <selflink>Fish of the Year</selflink> of Epson Red Sea 2009 on the competition website. The Fish of 2008, elected on the Epson Red Sea 2008 competition, was the Three Spot Domino Damsel Fish. Who will the Damsel fish be passing its crown to?
            <?php } else { ?>
                <div class="article_sub_header"><center>------------------------------ Official Press Release ------------------------------</center></div>
<div class="article_sub_text">
On November 1st, Epson Red Sea invites all divers worldwide to vote for the <b>Fish of the Year</b> of Epson Red Sea 2009 on the competition website. 5 fish will be introduced on the website as nominees, along with professional credentials delivered by an expert team that consists of 5 marine biology professors, each representing a different fish-nominee. Divers will be invited to vote for the fish that they find as the most entitled for the title <b>Fish of the Year</b>. <br/><br/>

During the 3 days of the Epson Red Sea 2009  competition, the fish that was elected as the <b>Fish of the Year</b> will serve as a “case study” for all photographers participating in the <i>Winning & Donating</i> category, representing different websites and magazines from all over the world. The winner will be the one who submits the most creative, original, professional and diverse portfolio of the <b>Fish of the Year</b>. <br/>Stay tuned with the <a href="http://www.eilatredsea.com">Epson Red Sea</a> website to find out more about the election of the <b>Fish of the Year</b>.
</div>
<div class="article_sub_header">Images of the World Category</div>
<img src="http://www.digideep.com/imgdb/news/2009_09_EpsonRedSea_2.jpg" border="0" alt="" name="" class="small_image_right" align="right" width="200" height="141" />
<div class="article_sub_text">Registration to the Epson Red Sea 2009 Competition, which will take place in Eilat, Israel, is now open. <br/>
Photographers are invited to start by choosing their best photos and submitting them to the <i>Images of the World</i> category by <a href="http://eilatredsea.com/?pg=RegCompFrm&CategoryID=289">Clicking Here</a>. Note that images can be submitted to this category only till <b>October 15th</b>.<br/>
Underwater images which were taken anytime and anywhere around the world can be submitted to this category, even without attending the event.<br/> 
Prizes include diving trips to dreamy destinations, cash prizes and diving equipment. 
</div>
<div class="article_sub_header">Eilat Shoot-Out Category</div>
<img src="http://www.digideep.com/imgdb/news/2009_09_EpsonRedSea_3.jpg" border="0" alt="" name="" class="small_image_left" align="left" width="200" height="162" />
<div class="article_sub_text">
Using the same <a href="http://eilatredsea.com/?pg=RegCompFrm&CategoryID=289">Entry Form</a>, photographers can register to the <i>Eilat Shoot-Out</i> competition category, which takes place in Eilat on November 9-14. Categories were specially created for professional underwater stills photographers, underwater videographers, amateurs and more. <br/>
Prizes include diving trips to dreamy destinations, expensive underwater photography equipment, cash prizes and more.<br/>
Accommodation and diving packages for competition participants can be arranged ahead as well.<br/>
Join the event for an unforgettable week of adventures, including seminars, happy hours and of course- valuable prizes for the winners.
</div><br/> 
            <?php } ?>    
        ]]></content>
    </entry>

    <entry>
        <title>SEALUX HD520 Housing for Sony HDR&#45;XR520VE and HDR&#45;XR500VE</title>
        <link rel="alternate" type="text/html" href="http://www.digideep.com/english/info/html/sealux-sony/" />
        <id>tag:digideep.com,2009:english/news/4.1921</id>
        <published>2009-09-19T18:31:00Z</published>
        <updated>2009-09-22T07:41:25Z</updated>
        <author>
            <name>Sharon Rainis</name>
            <uri>http://imperfections.biz</uri>        </author>
        <?php $cats = false; ?>
        
            <category   term="news" 
                        scheme="http://www.digideep.com/go/site/category/news/"
                        label="news" />
            <?php $cats[] = 'news'; ?>                       
        
            <category   term="announcements" 
                        scheme="http://www.digideep.com/go/site/category/announcements/"
                        label="announcements" />
            <?php $cats[] = 'announcements'; ?>                       
        
            <category   term="underwater videography" 
                        scheme="http://www.digideep.com/go/site/category/underwater videography/"
                        label="underwater videography" />
            <?php $cats[] = 'underwater videography'; ?>
        <content type="html"><![CDATA[
            <?php if ($cats[0] == "Artikel") { ?>
                <selflink><img src="http://www.digideep.com/imgdb/news/2009_09_Sealux_HD520_2.jpg" border="0" alt="" name="" class="small_image" align="left" width="370" height="189" /></selflink>Now the Sony HDR-XR520 and HDR-XR500 camcorders, well known for their excellent HD video recording in both the 16:9 and 4:3 formats, can continue to fully prove their capabilities also underwater. The <selflink>SEALUX HD520 Housing</selflink> is compact, lightweight and designed for optimal grip operation. Using the electronic touch screen control, the <selflink>HD520 Housing</selflink> enables operating all camcorder functions, while the maintenance-free electronic 10-key control makes it even easier than ever to access any of the camcorder features.
            <?php } else { ?>
                <div class="article_sub_header"><center>------------------------------ Official Press Release ------------------------------</center></div><br/>
<div class="article_sub_text">
The <b>Sony HDR-XR520E</b> and <b>HDR-XR500E</b> camcorders are well known for their outstanding picture quality, especially in the lowlight mode. These two camcorders produce perfect, brilliant video recordings in HDV DV quality, using both the 16:9 and 4:3 formats, as well as high definition photos of up to 12.2 megapixels.<br/><br/>

The <b>SEALUX HD520 Housing</b>, designed to accommodate both of these camcorders, is compact, lightweight and designed for optimal grip operation. Now, for the first time, it is possible to operate all camcorder functions (such as WHT, aperture, shutter speed, focus, zoom and many others) using the electronic touch screen control. A close-up lens, which can be swiveled down underwater, and a color correction filter (URPRO), extend the range of use of the <b>HD520 Housing</b> furthermore. An optimal monitor view without a mirror and the effective ambient light shielding system enhance the experience of taking images and viewing them during the dive. <br/><br/>
Available as extras are a zoomable wide-angle converter lens and a fisheye converter lens with an extremely wide shooting angle of around 145 degrees. In addition, the camcorders are compatible with the High Grade Wide-Angle lenses made by Fathom, offering an outstanding picture quality. Powerful SEALUX lighting systems and ultra-light transport cases are available for this housing as well.<br/><br/></div>
<div class="article_sub_header">HD520 Housing Specifications</div> 
<div class="article_sub_text">
 <ul class="related_entries">
<li><b>Housing-</b> Made of seawater-resistant aluminium, CNC milled out of a monoblock, hard anodized and passivated in a special process to ensure seawater-resistance. Precision-guided on a special slide, the camcorder is introduced into the front part of the housing. Installation errors are therefore eliminated.</li>
<li><b>Monitor Lens-</b> The large monitor lens, made of optical glass, provides a full view of the unfolded 7.6 cm monitor, which is perfectly screened from ambient light. The viewing angle in respect of the diving plane is 15º. The detachable lens hood eliminates reflections on the glass lens. </li>
<li><b>Locking Devices-</b> Two quick-release locking devices are protected with safety-catches against unintentional opening of the housing.</li>
<li><b>Interchangeable Port System-</b> Features a bayonet mount and allows for quick replacement of flat ports, wide-angle ports or fisheye ports.</li>
<li><b>Flat Port-</b> Made of optical glass with a bayonet mount, safety-catch and cap (standard).</li>
<li><b>Close-up Lens-</b> Can be swivel-inserted at any time, also above a wide-angle attachment, thereby allowing both macro and wide angle shots whenever required.</li>
<li><b>UW Color Correction Filter-</b> When capturing images in blue water without lighting, an URPRO colour correction filter can be installed.</li>
<li><b>Battery Replacement-</b> does not require camcorder removal!</li>
<li><b>Grip Rail-</b> Features soft grips and detachable for transport.</li>
<li><b>Push Button Control-</b> The newly developed control system allows operation of all camera functions. Functions on the left grip include Up, Down, Cursor Right, Cursor Left and Set. Functions on the right grip include Record, Zoom-Tele, Photo and Power Switch. Manual operation includes Focus, Zoom, WHT, Aperture and Shutter Speed.</li>
<li><b>Housing Dimensions-</b> Length: 170mm without flat port, Width: 262mm over keypad, Height: 117mm.</li>
<li><b>Housing Weight-</b> 3140g.</li>
<li><b>Tested Depth-</b> 90 meters.</li>
<li><b>Guarantee-</b> 2 years.</li>
</ul>
</div>
<div class="article_sub_header">Accessories for the HD520 Housing</div>
<div class="article_sub_text">
 <ul class="related_entries">
<li><b>Wide Angle Attachment-</b> A dome lens made of coated optical glass, zoomable, 76º diagonal shooting angle and a neoprene cover included.</li>
<li><b>Fisheye Port-</b> Super wide angle optics with dome, made of optical glass, zoomable and a neoprene cover included.</li>
<li><b>Monitor Lens-</b> Enlarges the image and reduces the distance between eye and monitor display.</li>
<li><b>Moisture Alarm-</b> Acoustic and optical alarm, ensures that the camcorder stays in good working condition.</li>
<li><b>Stabilization Fins-</b> To accommodate SEALUX lighting systems.</li>
<li><b>Transport Case-</b> The transport case, weighing only 2.6 kg, can hold the complete video system together with the Sealux lighting system. Measuring only 500 x 390 x 190 mm, it is
accepted as hand luggage.</li>
</ul>
</div> 
            <?php } ?>    
        ]]></content>
    </entry>

    <entry>
        <title>Canon New Compact Digital Cameras and Camcorders</title>
        <link rel="alternate" type="text/html" href="http://www.digideep.com/english/info/html/canon-new-releases-compact-digital-cameras-and-camcorders/" />
        <id>tag:digideep.com,2009:english/news/4.1918</id>
        <published>2009-08-21T12:29:00Z</published>
        <updated>2009-08-23T16:00:40Z</updated>
        <author>
            <name>Sharon Rainis</name>
            <uri>http://imperfections.biz</uri>        </author>
        <?php $cats = false; ?>
        
            <category   term="news" 
                        scheme="http://www.digideep.com/go/site/category/news/"
                        label="news" />
            <?php $cats[] = 'news'; ?>                       
        
            <category   term="announcements" 
                        scheme="http://www.digideep.com/go/site/category/announcements/"
                        label="announcements" />
            <?php $cats[] = 'announcements'; ?>                       
        
            <category   term="press releases" 
                        scheme="http://www.digideep.com/go/site/category/press releases/"
                        label="press releases" />
            <?php $cats[] = 'press releases'; ?>
        <content type="html"><![CDATA[
            <?php if ($cats[0] == "Artikel") { ?>
                <selflink><img src="http://www.digideep.com/imgdb/news/2009_08_Canon_CompactCamcorders.jpg" border="0" alt="" name="" class="small_image" align="left" width="370" height="185" /></selflink>Canon announces six additions to its line of <selflink>PowerShot digital cameras</selflink>, offering diverse photographic options for both users who have just begun their photographic journey and those who have been mastering their skills for many years. Among the features included in these newly released cameras are the first-ever touch screen PowerShot camera and a new high sensitivity system. Canon also announces two new <selflink>Flash Memory HD Legria Camcorders</selflink>, equipped by a 64GB internal memory, enough for over 24 hours of continuous recording.
            <?php } else { ?>
                <div class="article_sub_header"><center>------------------------------ Official Press Release ------------------------------</center></div>
<div class="article_sub_header">Six New PowerShot Cameras</div>
<div class="article_sub_text">
Whether a professional photographer looking for a smaller camera to tote along on assignment or a snap-happy sports fan heading to the big game, the new PowerShot digital cameras give users options for upgrading their shooting experience. All of the new cameras feature Optical Image Stabilization and use the DIGIC 4 Image Processor, the proprietary technology that accounts for the cameras' higher performance levels, improved signal processing speeds and enhanced image quality. Select new PowerShot models have the ability to shoot 720p High-Definition (HD) video, utilize the PureColor System LCD and for the first time from Canon, a PowerShot Digital ELPH camera features a touch screen user interface for easy navigation through images and menus.<br/><br/>
<b>PowerShot G11</b><br/>
The PowerShot G-series has long been the flagship of the PowerShot line. The new Canon PowerShot G11 Digital Camera further adds to the legacy of this award-winning series with its advanced features, variety of shooting modes and compatible EOS accessories which help to enhance one's photographic creativity. Designed for those looking for a pocket-sized camera with SLR functionality, this new powerful camera is ideal for the consumer who is looking to capture beautiful landscapes and high quality seascapes by offering:<br/>
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<li><b>10.0-Megapixel High Sensitivity System-</b> to capture images with a powerful 5x Optical Zoom lens with Optical Image Stabilization.</Li>
<li><b>28mm (equivalent to 28-140 mm) wide-angle lens- </b>perfect for underwater wreck photography and other wide angle compositions of the seascape.</li>
<li><b>2.8-inch vari-angle PureColor System LCD</b>- new to the G-series, allowing for easier on-camera previewing and reviewing of images from nearly every angle, while still incorporating the optical viewfinder found on previous models.</li>
<li><b>Easy access to heavily used functions</b>- with two mode dials for adjusting ISO and exposure compensation, and a full range of shooting and recording modes, including RAW + JPEG for ultimate creative control when editing images.</li>
<li><b>Host of optional accessories</b>- including Speedlite flashes and a tele-converter lens to provide further photographic flexibility.</li>
<li><b>Canon Underwater Housing-</b> was already announced for this camera and labeled as the <b>Canon WP-DC34 Housing</b>.</li>
</ul><br/>
Scheduled to be available in October, the PowerShot G11 Digital Camera retails for an estimated price of $499.99.<br/><br/>

<b>PowerShot S90</b><br/>
The PowerShot S90 is the camera photo enthusiasts have been waiting for to add to their photography arsenal. Borrowing its good looks from the PowerShot Digital ELPH line and its high-end functionality from the PowerShot G-series, this new camera has a High Sensitivity System sensor in addition to a 28mm wide-angle f/2.0 lens to help produce sharper images in low-light situations while the customizable control ring allows users to adjust shooting settings providing for further flexibility.  Other features of this camera include:<br>
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<li><b>10.0-Megapixel High Sensitivity System</b>- with a 3.8x Optical Zoom and Optical Image Stabilization.</li>
<li><b>A customizable control ring</b>- for easy access and operation of manual or other creative shooting settings.</li>
<li><b>A large 3.0-inch PureColor System LCD-</b> for even greater true life color reproduction.</li>
<li><b>Full range of shooting and recording modes-</b> including RAW + JPEG, for the ultimate in creative control when editing.</li>
<li><b>Canon Underwater Housing-</b> was already announced for this camera and labeled as the <b>Canon WP-DC35 Housing</b>.</li></ul><br/>
Scheduled to be available in October, the PowerShot S90 Digital Camera retails for an estimated price of $429.99.<br/><br/>
<b>PowerShot SX20 IS and SX120 IS</b><br/>
When photographers are looking for a camera with a powerful zoom that is lightweight and easy-to-use, the PowerShot SX-series should be top-of-mind. Photographers can get a close-up shot without being positioned nearby to the subject and be assured images will be of superb quality.<br/><br/>
Among the <b>PowerShot SX20 IS</b> features:<br/>
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<li><b>A 12.1-Megapixel sensor</b>- with a high-powered 20x wide-angle Optical Zoom lens and Optical Image Stabilizer to help reduce camera shake and achieve magnificent images whether up close or far away.</li>
<li><b>The ability to shoot 720p (30 fps) HD video</b>- with HDMI output to share high-quality videos of memorable moments with family and friends. </li>
<li><b>A 2.5-inch vari-angle PureColor System LCD</b>- allowing for easy on-camera viewing of images and menus at nearly every angle while also having a viewfinder.</li>
<li><b>AA batteries-</b> for easy power-up and replacement.</li>
</ul><br/>Scheduled to be available in September, the PowerShot SX20 IS Digital Camera retails for an estimated price of $399.99.<br/><br/>
Among the <b>PowerShot SX120 IS</b> features:<br/>
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<li><b>A 10.0-Megapixel sensor</b>- with a 10x Optical Zoom lens and Optical Image Stabilization helps to ensure images will be clear and how they were meant to be captured.</li>
<li><b>A large 3.0-inch LCD</b>- allows for easy on-camera previewing and reviewing of menus and images.</li>
<li><b>Easy Mode- </b>to make picture taking a snap! It gives you the peace of mind when shooting and simplifies camera operation.</li>
<li><b>AA batteries</b>- for easy power-up and replacement.</li></ul><br/>
Scheduled to be available in September, the PowerShot SX120 IS Digital Camera retails for an estimated price of $249.99.<br/><br/>
<b>PowerShot SD980 IS and SD940 IS Digital ELPH</b><br/> 
Most noted for sleek, polished and stylish looks, the ELPH brand has evolved into a product that supremely reflects and expresses one's personal style. Tiny and compact, these cameras are best known for easily slipping into a shirt or pants pocket, while maintaining their appeal as a fashion accessory. For the first time ever from Canon, a member of the ELPH family will have a 3.0-inch touch panel PureColor System LCD further enhancing its appeal and ease-of-use. With this new line of ELPH cameras, color, style and personal reflection are still the hallmarks of the brand.<br/><br/>
Among the <b>SD980 IS Digital ELPH</b> features:<br/>
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<li><b>A large 3.0-inch touch panel PureColor System LCD screen</b>- with a cutting-edge interface for easy navigating through images and menus.</li>
<li><b>720p HD video shooting capabilities</b>- plus HDMI output connector for easy playback of video and photos on HDTV's to share with friends and family.</li>
<li><b>A 5x Optical Zoom lens</b>- with an ultra-wide 24mm lens, plus Optical Image Stabilization, great for vast seascapes and wrecks.</li>
<li><b>A 12.1-Megapixel sensor</b>- to help ensure superb image quality.</li>
<li><b>Four distinguished colors</b>- silver, blue, purple and gold.</li></ul><br/>
Scheduled to be available in October, the PowerShot SD980 IS Digital ELPH Camera retails for an estimated price of $329.99.<br/><br/>
Among the <b>PowerShot SD940 IS Digital ELPH</b> features:<br/>
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<li><b>A 12.1-Megapixel sensor, 28mm wide-angle lens</b>- with 4x Optical Zoom lens and Optical Image Stabilization offering versatility when shooting in the field.</li>
<li><b>720p HD movie shooting capabilities</b>- plus HDMI output connector for easy playback of video and photos on an HDTV.</li>
<li><b>A large, crisp 2.7-inch PureColor System LCD</b>- with a wide viewing angle, great for sharing photos and video with friends.</li>
<li><b>Timeless colors</b>- muted metallics in blue, black, silver and brown to match any mood.</li>
<li><b>Canon Underwater Housing-</b> was already announced for this camera and labeled as the <b>Canon WP-DC33 Housing</b>.</li></ul><br/>
Scheduled to be available in September, the PowerShot SD940 IS Digital ELPH Camera retails for an estimated price of $299.99.
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<div class="article_sub_header">Two New Flash Memory HD Legria Camcorders</div>
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Both LEGRIA HF21 and HF S11 models offer a range of improvements over previous models, including an advanced Dynamic Optical Image Stabiliser (OIS) system, an enhanced Video Snapshot mode and new low-light shooting capabilities. Both products capture to high capacity Flash memory, the most reliable method for recording. Flash memory based recording is faster, lighter and consumes less power than Hard-Disk drive based camcorders.  In addition, new accessories in the range offer extended shooting flexibility – expanding the camcorders’ capabilities and giving users the freedom to capture stunning HD video in any environment, even underwater with the WP-V1 waterproof case.<br/><br/>
<b>LEGRIA HF S11:  The Ultimate HD Camcorder for Video Enthusiasts</b><br/>
The new flagship in the range which includes the TIPA award-winning LEGRIA HF S10, the LEGRIA HF S11 HD camcorder combines pro-level features and functionality with Canon’s best ever HD camera system. The camcorder includes Dual Flash Memory recording, which lets users capture footage on the internal memory and on removable SDHC flash memory cards.  At 64GB, the HF S11 features the greatest amount of internal memory available in any current camcorder, enabling users to capture over 24 hours of video (LP mode).<br/><br/>

To help users achieve the best video quality video, the LEGRIA HF S11 features Canon’s new Dynamic OIS, a feature that virtually eliminates camera-shake while filming wider shots like landscapes, seascapes and more. The LEGRIA HF S11 delivers superb quality high-definition recordings thanks to its Canon HD camera system: a genuine Canon HD Video Lens (with 10x optical zoom), an 8 Megapixel CMOS sensor and a DIGIC DV III image processor. The HD camera system delivers 1920x1080 Full HD video recordings at 24Mbps and up to 8.0MP still photos.  The option to use 25p progressive capture for making movies delivers a film-like quality and further improves low-light sensitivity. Perfect for users with a passion for videography, the LEGRIA HF S11 offers a full range of shooting controls. These enable manual adjustment of focus, exposure and audio levels using the camcorder’s built in control dial.  In addition, the HF S11 includes Auto Gain Control limits – allowing users to fine-tune the camcorder’s gain in low-light – so the optimum balance between the low light detail and the darkness of night can be found. <br/><br/>

<b>LEGRIA HF21: A User-Friendly HD Camcorder</b><br/>
Joining the LEGRIA range - as the new flagship HD camcorderforfamilies - is the new
LEGRIA HF21, boasting 64GB internal flash memory in a pocket-sized and super stylish
design.<br/><br/>
Canon's Video Snapshot mode
allows four-second clips to be captured with a single press ofthe record button, then
easily arranged into a movie and set to music on the camera - the perfect way to put
together films without needing to edit on a PC. Like the HF S11, the HF21 also features Canon's new Dynamic OIS for shake free
footage when filming on the move - whether walking, jogging or climbing. For shooting in low light conditions - such as at parties or evening events - Canon has
introduced two new scene modes. Night mode automatically reduces light levels so
users can faithfully reproduce the darkness of night, whereas Low Light mode makes it
easier to capture every detail even in fading light.<br/><br/>

<b>Underwater Capabilities</b><br/>
The specially designed WP-V1 waterproof case has a class-leading watertight-depth of 40m, making
it ideal for scuba-diving, snorkelling or other water-based activities. The WP-V1 case can
also be used with the current LEGRIA HF20 and HF200 models. All HF series camcorders offer an underwater shooting mode that enables the camcorder to take
natural looking footage at depth when used with the underwater case. When used in
this mode the camcorder's white balance is automatically adjusted to produce more
natural-looking colours. The camcorder can then be switched back to Surface mode for
seaside or poolside activity.<br/><br/>
<b>Availability</b><br/>
Both new camcorders will be available from September 2009.<br/><br/>
<b>Specifications</b><br/>
<a href="http://www.canon.co.uk/Images/LEGRIA%20HF21_Specification%20Sheet_tcm14-668601.pdf" title="Click Here">Click Here</a> for the full specifications list of the <b>Legria HF21</b>.<br/>
<a href="http://www.canon.co.uk/Images/LEGRIA%20HF%20S11_Specification%20Sheet_tcm14-668602.pdf" title="Click Here">Click Here</a> for the full specifications list of the <b>Legria HFS 11</b>.
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    <entry>
        <title>Visions in the Sea 2009</title>
        <link rel="alternate" type="text/html" href="http://www.digideep.com/english/info/html/visions-in-the-sea-2009/" />
        <id>tag:digideep.com,2009:english/news/4.1917</id>
        <published>2009-08-21T10:04:00Z</published>
        <updated>2009-08-21T12:22:30Z</updated>
        <author>
            <name>Sharon Rainis</name>
            <uri>http://imperfections.biz</uri>        </author>
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                <selflink><img src="http://www.digideep.com/imgdb/news/2009_08_VisionsIntheSea.jpg" border="0" alt="" name="" class="small_image" align="left" width="370" height="149" /></selflink>
The <selflink>Visions in the Sea 2009</selflink> event, which will be held in Manchester, England,  is an underwater photography festival that includes many goodies, such as an international competition, presentations carried out by world renowned underwater photographers and even some underwater photography classes conducted in the pool. The event is held in aid of the Shark Trust, thereby raising money and awareness for this charity.
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                <div class="article_sub_header"><center>------------------------------ Official Press Release ------------------------------</center></div>
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During the <b>Visions of the Sea 2009</b> festival, held in Manchester, England on November 7th and 8th, a fantastic line-up of presentations will be carried out, as well as in-water tuitions, an international competition, an exhibition and a gala dinner. The whole event is in aid of the <b>Shark Trust</b> and is being hosted by <b>Frogfish Photography</b>and <b>Ocean Optics</b>.<br/><br/>

<b>Presentations and Classes</b><br/>
Presentations will be carried out during the two days of the event by internationally renowned underwater photographers, such as: Cathy Church, Paul “Duxy” Duxfield, Martin Edge, Charlie Hood, Maria Munn, Alex Mustard, Jukka Nurminen, Tom Peschak, Peter Scoones and Steve Warren. On Sunday afternoon, delegates will have the opportunity to participate in some in-water tuitions in the Manchester Aquatics Centre held by some of these experts. The 5 meters deep pool will be transformed into an underwater world with reefs, a wreck, marine life of all sorts and model divers in order to enable the participants to practice their newly learnt photographic skills.<br/><br/>

<b>Charity</b><br/>
On Friday, November 6th, the Shark Trust team (along with the Frogfish and Ocean Optics teams) will be visiting a school and inviting children from other schools
in the area to join in on an education day. This will grant local children the opportunity to learn more about sharks and to take part in art projects, discussions and workshops throughout the day.<br/><br/>

<b>The Visions Gala Dinner</b><br/>
On Saturday evening, the <b>Visions Gala Dinner</b> will take place in aid of the Shark Trust. This will coincide with the 5th anniversary of Orca Divers, who have organized an auction of prints from some of the world’s best underwater photographers, followed by an after dinner lecture and live music.<br/><br/>

<b>Exhibition and International Competition</b><br/>
The event will host a free exhibition open to the public with stands by Ocean Optics, Frogfish Photography, BSOUP, NUPG, Shark Trust, the event
sponsors and guest speakers. The finalists from the <b>Visions in the Sea</b> International Underwater Photography Competition will be introduced as well. The total value of prizes exceeds £9000 and the judges of the competition will be the guest speakers over the festival weekend. The Best in Show will win a Worldwide Dive and Sail live-aboard trip. Other classes include Suunto British Open and Mares Young Photographer of the Year. Additional prizes will be offered as well by Apeks, Beaver, Blandford, Sub-Aqua, Inon, Lumb Brothers, O’Neill, Sea&Sea, Sport Diver and Typhoon.<br/><br/>

The festival is being sponsored by Cameras Underwater, Cayman Islands, Department of Tourism, Dive Quest and Emperor Divers. Their support has enabled <b>Visions in the Sea</b> to offer all divers and underwater photographers the chance to improve their underwater photography skills, participate in educational presentations, attend a wonderful visual feast and take part in an event that raises money for an important charity, as well raises the awareness to the underwater environment.<br/><br/>

For purchasing tickets and registering to the competition, visit the <a href="http://www.visionsinthesea.com" target="_blank" title="Visions in the Sea">Visions in the Sea</a> website.
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